"What sort of coercion?" said Mrs. Gereth. "It came to Mona's knowledge—I can't tell you how, but it came—that the things I was sending back had begun to arrive at Poynton. I had sent them for you, but it was her I touched." Mrs. Gereth paused; Fleda was too absorbed in her explanation to do anything but take blankly the full, cold breath of this. "They were there, and that determined her."!

Blanched and bleak, Mrs. Gereth looked at her. "What sort of an obligation do you call that? No such obligation exists for an hour between any man and any woman who have hatred on one side. He had ended by hating her, and now he hates her more than ever." The first news she had from Mrs. Gereth was news of that lady's having accomplished, in form at least, her migration. The letter was dated from Ricks, to which place she had been transported by an impulse apparently as sudden as the inspiration she had obeyed before. "Yes, I've literally come," she wrote, "with a bandbox and a kitchen-maid; I've crossed the Rubicon, I've taken possession. It has been like plumping into cold water: I saw the only thing was to do it, not to stand shivering. I shall have warmed the place a little by simply being here for a week; when I come back the ice will have been broken. I didn't write to you to meet me on my way through town, because I know how busy you are and because, besides, I'm too savage and odious to be fit company even for you. You'd say I really go too far, and there's no doubt whatever I do. I'm here, at any rate, just to look round once more, to see that certain things are done before I enter in force. I shall probably be at Poynton all next week. There's more room than I quite measured the other day, and a rather good set of old Worcester. But what are space and time, what's even old Worcester, to your wretched and affectionate A. G.?"

"No. I'm tired of them: I'm not tired of you. This is the way for you to feel most how much I rest on you." Fleda had a compunction, wondering as they continued to stroll whether it was right after all to leave her. She believed, however, that if the flame might for the moment burn low, it was far from dying out; an impression presently confirmed by the way Mrs. Gereth went on: "But one's fatigue is nothing. The idea under which one worked kept one up. For you I could—I can still. Nothing will have mattered if she's not there." "Beautiful things?" Mrs. Gereth turned again to the little worn, bleached stuffs and the sweet spindle-legs. "They're the wretched things that were here—that stupid, starved old woman's." The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!